Ottorino Respighi (1879-1936) Born July 9, 1879 in Bologna. Died April 18, 1936 in Rome. Trittico Botticelliano Composed in 1927.

Entrances in the music on this program. Trittico Botticelliano (Three Botticelli Pictures) by Ottorino Respighi (1879-1936) Among the treasures displayed in the Uffizi Gallery in Florence are paintings by the Renaissance master Sandro Botticelli (1446-1510). Respighi turned three of them into sound-worlds. Posted by gene in Program Notes. Trittico Botticelliano Rodrigo, Concierto de Aranjuez Beethoven. Trittico Botticelliano Program Notes Beethoven Cello. Introduction to the Ottorino Respighi Publications. Program Notes: The Tre Liriche. More famous works “per piccola ochestra” such as Trittico Botticelliano.

First Performance: September 27, 1927, at the Konzerthous of Vienna with the composer conducting. Instrumentation: Flute, Oboe, Clarinet, Bassoon, Horn, Trumpet, Triangle, Campanelli, Celeste, Harp, Piano, Strings. Respighi studied with Luigi Torchi at the Liceo Musicale in Bologna who was the compiler of “L’arte musicale in Italia nei secoli XIV-XVII”. In 1900-01 and again in 1902-03 he visited St. Petersburg, Russia as a violinist in the opera orchestra.

While there he studied with Rimsky-Korsakov which had a profound influence on his orchestral scoring. He traveled widely as a violinist and violist between 1903 and 1908. He settled in Rome in 1913 after being appointed professor of composition at the Liceo (later Conservatorio) di Santa Cecilia. His best known works are his Roman pieces beginning with Fountains of Rome (Fontane di Roma) (1914-16), Pines of Rome (Pini di Roma) (1923-4), and finally the Roman Festivals (Feste Romane) (1928). Respighi began work on the Trittico Botticelliano in March 1927 upon returning from his first tour of the United States. Elizabeth Sprague Coolidge organized the concert for the premiere later that year.

The Botticelli Triptych was inspired by three paintings by Florentine painter Sandro Botticelli (1445-1510). Ford Ids Usb Driver. All three paintings are now in the Galleria degli Uffizi in Florence.

His interest in Gregorian chant, modality and other archaisms are on appropriately on display here. Magix Music Maker Reggae Soundpool Download. La Primavera (Spring) was painted around 1482 and is tempera on wood panel which measures 6’8”” x 10’4”. This first movement begins with a sparkling repeated figure in played by the strings while the horns then the trumpets play a leaping motif.

The bassoons introduce the first theme. Bassoons The music settles down while the oboes play a simple a simple theme resembling a chant against a syncopated bassoon accompaniment. This theme evolves into another simple but more animated theme. The violins once begin to play the shimmering trills from the opening while these themes are fragmented until the trumpets return the initial bassoon melody followed by the second and third themes. The movement ends as it began with shimmering trills played by the strings. Adorazione dei magi (Adoration of the Magi), 1475. Rodriguez At His Best Rar Program on this page. Veni, Veni Emmanuel is a part of the O Antiphons that are used for Vespers during the week before Christmas.

These antiphons (responses to psalms) date back to at least the ninth century. The hymn itself was composed in the 12th century in French and the Latin version of the hymn is from the 18th century. The movement begins with a bassoon solo.

Opening bassoon solo Example 6. Flute arabesque Followed by an arabesque played by the flute The famous antiphon is introduced by the flute and bassoon two octaves apart. Veni, flute and bassoon 2 octaves apart A moderato section with a marching theme derived from the antiphon is punctuated by “oriental” clanging interjections from the celeste, triangle piano and harp.